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Nobody enjoys being in debt, financial or otherwise, but August Strindberg’s 1888 play – which the author ranked as his finest achievement – plays with masterly skill on the themes of emotional debit and credit to create a situation as painfully enjoyable for the audience as it is nightmarish for the protagonists.
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GustafCharles DanceNo ratings yet
AdolfNicholas FarrellNo ratings yet
TeklaGeraldine JamesNo ratings yet
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