Tom Palmer
Visual Effects
Biography
“I was born in New York under the signs of prohibition and Tammany Hall. The urge to draw substituting the proverbial spoon in the infant's mouth, I decided to be a bleck shipp. After studying life drawings at the Academy and various other social clubs. got tired of looking at contours and drifted into commercial business. The lure of the flickering funnies was irresistible so I entered the animation business with Mutt and Jeff. Then worked with Oswald the Rabbit, until Mickey asked me over to his studio.” -TP (June 20, 1931 edition of The Motion Picture Daily)
On the crew 63
Gulliver's Travels
1939
Flowers and Trees
1932
Babes in the Woods
1932
Mickey's Trailer
1938
Santa's Workshop
1932
Mickey's Amateurs
1937
Mickey's Mellerdrammer
1933
Midnight in a Toy Shop
1930
The Fire Fighters
1930
The Mad Doctor
1933
Bugs in Love
1932
The Birthday Party
1931
Birds of a Feather
1931
The Chain Gang
1930
The Bird Store
1932
Just Dogs
1932
Mickey's Good Deed
1932
Winter
1930
The Gorilla Mystery
1930
Playful Pan
1930
Pioneer Days
1930
Night
1930
The Whoopee Party
1932
The Klondike Kid
1932
Mickey Plays Papa
1934
Mother Goose Melodies
1931
Monkey Melodies
1930
Mickey's Orphans
1931
Moth and the Flame
1938
Buddy's Beer Garden
1933
Mickey in Arabia
1932
Cannibal Capers
1930
The Mail Pilot
1933
The Beach Party
1931
Bird Scouts
1935
Frolicking Fish
1930
The Busy Beavers
1931
Traffic Troubles
1931
Trader Mickey
1932
I've Got to Sing a Torch Song
1933
Blue Rhythm
1931
Parrotville Old Folks
1935
The Goose That Laid the Golden Egg
1936
Snow Use
1929
Bull-Oney
1928
Molly Moo-Cow and the Butterflies
1935
The Hunting Season
1935
Pussy Willie
1929
Nutty Notes
1929
Spinning Mice
1935
Alpine Antics
1929
Yanky Clippers
1929
Molly Moo-Cow and Rip Van Winkle
1935
Buddy's Day Out
1933
Trolley Ahoy
1936
Cupid Gets His Man
1936
Toonerville Trolley
1936
A Picnic Panic
1935
A Horse Tale
1928
Molly Moo-Cow and Robinson Crusoe
1936
Molly Moo-Cow and the Indians
1935
A Waif's Welcome
1936
Parrotville Post Office
1935